Sheryl Fisher

Sheryl Fisher’s abstract paintings entice you to come in, sit for awhile, have a cup of tea, and contemplate. From a distance, they are engaging in their composition and design, and demand attention with their strong contrasts and bold patterns. However, it’s the quieter shadowy shapes, text, textures, bits and pieces peeking through sanded down or cut out areas that persuade you to take a closer look. There is a story, sometimes obvious, sometimes ambiguous, that is told through the layers of papers, paint, and marks made with various tools. It’s up to the viewer to interpret it with their own imagination, which plays a part in being her invited guest.

Fisher studied art in college, and has continued her education through several workshops over the years. She has been juried into several exhibitions and has received several awards. Her art practice is busy as an active member with the Federation of Canadian Artists, participating in various exhibitions and artist studio tours, and  serving her community through donations of art to fundraisers for local organizations.

Artist Statement: My perspective and approach to art changed while doing a mentorship program and an abstract workshop simultaneously a few years ago. My primary interest shifted from doing figurative work and portraits of people I found intriguing, to focusing inward and examining my own story with exciting new mediums and technique. I sometimes start with a concept to explore, or I just let my mind wander as I listen to music and write down my thoughts, usually right on the canvas. I freely make marks with charcoal or graphite and quickly apply paint and papers all over the work surface, while reflecting on what comes up. It shifts to a more methodical and slower process as I zero in on what I want to express and how I want to present it. Intuition guides me to where I’m going. Once I feel the narrative is right, the painting is finished.